Clark Hulings (1922-2011) was born in Florida and raised in New Jersey. Over his lifetime, he resided in New York, Louisiana, and throughout Europe before settling in Santa Fe in 1972. His art training began as a teenager with Sigismund Ivanowsky and the famed draftsman George Bridgman and continued at The Art Students League with Frank Reilly. With a degree in physics from Haverford College, Pa., Hulings pursued an initial career as a portraitist in Louisiana, followed by freelance illustration in New York, notably paperback book covers, during the 1950s.

By the early 1960s, Hulings devoted himself to easel paintings. In 1965 he debuted in New York, N.Y., at The Grand Central Art Galleries. In 1976 he was the subject of a solo exhibition at the National Cowboy and Western Heritage Center, Oklahoma City, OK., which was documented in the book Hulings—A Collection of Oil Paintings (Lowell Press), followed in 1978 by a retrospective at the Museum of the Southwest, Midland, TX, and a 1981 exhibition at the C.M. Russell Museum, Great Falls, MT. Hulings’ work was the subject of one-man exhibitions in 1999 at Nedra Matteucci Galleries, Santa Fe, and in 2007 at J.N. Bartfield Galleries, New York, and Morris & Whiteside Galleries, Hilton Head, S.C. In 2011 The Forbes Galleries, NY mounted a Hulings show with examples of work from every decade of his career.

In 1986, Hulings authored the book A Gallery of Paintings by Clark Hulings (White Burro Publishing). The book was updated and reissued in soft cover in 2006. His paintings have been included in countless articles and surveys such as The Majesty of the Grand Canyon: 150 Years of Art (Pomegranate Press) and Landscapes of New Mexico: Paintings of the Land of Enchantment (Fresco Fine Art Publishing).

Hulings was the recipient of several awards from organizations such as The Allied Artists of America, The Salmagundi Club and The Hudson Valley Art Association. In 1973 he received the Prix de West award from the National Cowboy and Western Heritage Museum, where his painting Grand Canyon, Kaibab Trail is in the permanent collection. In his adopted state, Hulings was recognized with his first one-man show in 1945 at the New Mexico Museum of Art, Santa Fe. In 1985, the museum installed a Hulings plaque on its artist walk of fame; and in 2004, he received the New Mexico Governor’s Award for Excellence in the Arts.

Glenna Goodacre

Most Americans are familiar with Glenna Goodacre's sculptural contribution to the nation through her Vietnam Women's Memorial installed in 1993 on the Mall in Washington, D.C. Her 1999 design for the Sacagawea dollar contributes greatly to her renown. Goodacre's incredible range of work has made her enormously popular and very widely recognized. 

Texas-born Goodacre began her artistic endeavors as a painter rather than a sculptor. She graduated from Colorado College and studied at the Art Students League of New York. Eventually she began to work in three dimensions, shaping portrait busts and figures in wax and clay, transforming herself from painter to sculptor. Central to her career, however, has always been an emphasis on the creative challenges of the human figure. 

Goodacre has been awarded many important public commissions. In 1998 she created a seven-foot standing portrait of President Ronald Reagan depicted in casual riding attire for the National Cowboy Hall of Fame in Oklahoma City and Reagan's presidential library in California. In 1997 Goodacre was selected as the winning sculptor in an international competition to create the Irish Memorial at Penn's Landing in Philadelphia. This is Goodacre's most ambitious public sculpture to date; it comprises 35 life-size figures documenting the potato famine in Ireland and the subsequent immigration of survivors to the United States. 

Goodacre has been an academician of the National Academy of Design since 1994 and a fellow of the National Sculpture Society since 1981. She has won many awards at these institutions' New York exhibitions. Goodacre has received honorary doctorates from her alma mater, Colorado College, and Texas Tech University in her hometown of Lubbock. In 2002, she won the James Earl Fraser Sculpture Award at the Prix de West Exhibition. In 2003, she was awarded the Gold Medal For Career Achievement from The Portrait Society of America and the Texas Medal of Arts. She was inducted into the Cowgirl Hall of Fame in 2003.